Li Ya’s artistic practice revolves around the complexities of human society, focusing on the themes of capitalism, consumerism, control, and alienation. The repetitive methodology inherent in printmaking echoes the cyclical nature of daily routines and regimented lifestyles. By harnessing both the rich historical background and the inherently repetitive nature of printmaking—a process that has been historically rooted in mass production and labor—Li Ya reflects on the monotony and dehumanizing effects that capitalist notions of production and consumption can impose upon one’s daily life. Through this medium, Li Ya draws compelling parallels between human societies and ant colonies, utilizing the latter as a metaphorical lens through which to examine human social structures and the intricate web of economic transactions. Her creation of dystopian worlds, characterized by recurring motifs, puts forth a thought-provoking examination of capitalism and consumerism—exploring not only how these forces shape individual experiences but also how they can often diminish personal identity and erode fundamental societal values.